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Tie a Bow on It

Vogue Jumpsuit
Earrings are Banana Republic from 2016

     When I first saw this jumpsuit pattern I knew I had to make it (pattern photo is at the end of the post). It is semi-naked, has pockets, and felt like it would be the perfect garment to vote in. I was right, it was! (For me that basically meant sitting at a computer thousands of miles away but I was pleased I was able to figure out the citizen abroad voter registration, at all.)  The pattern is the Vogue 1708 and, annoyingly, only available in paper pattern form, so I picked it up the last time I was in the States. Also, as an aside, instructions on the "Big 4" patterns (Simplicity, Vogue, Butterick and McCalls) don't always make a lot of sense to me. It could be that if I had more of a traditional sewing education (instead of mostly YouTube) they would, but I find I struggle with them and there are NO additional aids (real photos, videos, sew-a-longs) which seem to come standard on indie patterns. This Vogue pattern is also almost DOUBLE the cost of an indie pattern, but, you know, no one forced me buy it, so, I digress.  
     I was adamant that I wanted to make it in a bold print fabric, like the model on the pattern. I ended up scouring my local fabric haunts and nothing jumped out at me. This jumpsuit requires just under 5 meters of fabric for the outside AND the lining (so almost 10 in total) and every time I saw a fabric I liked I tried to imagine wearing 10 meters of it and it killed the vibe. Enter this clipped dot linen/cotton blend fabric. The dots give it a little personality and, even though I'm sure I'll stain this almost immediately, the light color and fabric make this feel desert appropriate. 

The Sew Flow

Self sewn: mask, dress and bag
Jacket: Secondhand Levi's
Shoes: Coclico

     I guess this is just a sewing blog for the moment. Over the last few months I have thrown myself into sewing. Partially because I was still mostly living that indoor lifestyle, between Covid and the harsh summer heat here. The other part is that I have fallen in love with it. It is meditative, creative and fun. 
     In the image at the top, I sewed the mask, the dress and the bag and was pretty pleased with myself at how the outfit came together. Below are some of the inspiration photos for the dress. One is an image I saw online somewhere and the other was the window display at Carolina Herrera. I made my dress out of quilting cotton and when I saw that rich blue color I knew it would be prefect. I used the McCalls pattern M7948 as my base pattern, in View C and added pockets. I also left out the small opening in the back of the neck because it could slide over my head without it. This wasn't my first attempt at this dress (I first sewed it in the fabric that I also used to make the mask above) and in the next version I'm thinking of adding a fourth tier, but not necessarily making it longer. I particularly love the billowly silhouette and think the dress is best in motion. I don't have any great photos where I'm not standing still but I'm determined to get an "action" shot of it. 

Sustainable What? Part 1

Self sewn Clyde jumpsuit from the recently released Elizabeth Suzann patterns
Backpack: Clare V Agnes
     I sat down to write about a jumpsuit and over 1,300 words later I instead have this post and nothing about the jumpsuit, so more about that garment will come in a to-be-written Part 2.  
      Back in April of 2013, a garment factory in Bangladesh collapsed resulting in the injury of over 2,500 people and the death of over 1,000. You might have read about the Rana Plaza collapse, either at the time or in one of the many think pieces written about it since then, calling into question the true price of fast fashion. Several well known brands did business with this factory, including Primark, Zara, Mango and Walmart. The building had been deemed unsafe and yet garment workers were sent back into the factory to keep production going. 
     At the time I was living in New York and a good part of my clothing was made up of fast fashion purchases. I was developing an interest in learning where my clothing was made, and by whom (which was then and is now still surprisingly hard to discern as there is a real lack of transparency from brands), as well as having more disposable income than I had had in the past and I remember Rana Plaza making a big impression on me. Starting in 2014 I began tracking my clothing purchases in a spreadsheet, so I could get a better idea of what I purchased and from where. It wasn't driven by ethical concerns, exactly, but rather to help me answer questions I didn't know the answer to. How much money was I spending in a year? Were the clothes new or used? How long did the clothes I buy last? How happy was I with those purchases after a year or two? 
     This practice has helped me significantly reduce new fast fashion from my life. Ethical concerns aside the pieces often didn't make the grade: falling apart more quickly or having poorer fit or more uncomfortable fabrics. It has also caused me to more deeply grapple with the idea of sustainability and fashion. The design, production, manufacturing, marketing, and selling of clothes has costs and I believe that when clothes are cheap for me the consumer, it does not mean that those clothes are in fact "cheap", instead it just means that someone else in the supply chain is paying the price in order for them to be that way. 

DIY: T-shirt Repurpose

      Are you looking for distraction? Do you have a sewing machine? This shirt project, which essentially consists of Frankenstein-ing two tops together, was inspired by a vlog post by Letitia Kiu. It was also the only time one of those "recommended" videos on the right side of YouTube has come through for me. I instantly loved this idea and think it would be a fun project to do with friends (you know, one day, when it doesn't feel negligent to be in someone's house or wear their clothes). You could all bring those leftover 5k/work event/volunteering tees that you sometimes wear to bed but mostly just live in the back of your closet, and mix and match them into new creations. The sewing is the easy part here (the first one took me about 20 minutes and the second one took much less than that) so if one of you has a sewing machine it wouldn't be too laborious to do that part together as well. (Also, for anyone who sews, I think on future projects like this, since I don't have a serger, a french seam would be the perfect secure, classy seam choice.) 

These were my shirts:

DIY: Sir the Label Dress

DIY Aramis Dress
Made the mask too.
Oolala. That's how I feel in this dress, which I finished sewing last weekend. It is made out of a luxurious deep green linen and while the dark color and floor-length skirt make it look formal in photos I think it looks more daytime appropriate in person. (Plus you can't tell this but I'm wearing it with white sneakers.) It started, as a surprising number of things do these days, with an Instagram ad. The ad was from Sir the Label, a new-to-me Australian brand whose romantic, skin-bearing dresses instantly caught my eye. However, the dress this is based on, the Aramis, retails for $480 (oddly enough in both USD and AUD) so that wasn't going to happen. Plus, their version has no pockets (that I can discern) so I figured this was a great candidate for a DIY. 
DIY Sir the Label

DIY: Ulla Johnson Skirt

DIY Ulla Johnson Skirt
I also whipped up this top out of some scrap fabric, but it has since been cut up for use in other projects.
     I'm pretty darn excited because I made this skirt ::pumps fist circularly and makes a wooing noise:: This is one of the first items I've tried to make where I didn't have a pattern and was basing it on a photo. This photo, in case you are wondering:
Ulla Johnson, RTW 2020
    You'll notice that in the photo, the garment in question is a dress, whereas mine is a skirt. While the skirt came together in a relatively straightforward manner, that was not the case with the bodice. I tried to struggle through it before I figured the garment was trying to tell me something and I should stop banging my head against the wall turning what was apparently meant to be a skirt into a dress (plus, skirts are so versatile). I had purchased 5 meters of cloth, thinking that would be enough (it was not), so I barely had enough to make my first attempt at the bodice and nothing left for a do-over. Also (and I acknowledge that this is a bit of a false comparison) this skirt cost me about $20 in fabric (plus two days of my time) whereas the Ulla Johnson one is closer to $800. No doubt it is much better made and the fabric is probably nicer but still!